The Criterion Collection
Feb 23, 2010 — Like many other French cinephiles, I discovered Make Way for Tomorrow relatively late, although we had been interested in Leo McCarey for years. We had hunted down his Laurel and Hardy pictures, adored Duck Soup, the best of the Marx...
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...
Essays
Jul 21, 2008 — Carl Theodor Dreyer’s elliptical and dreamlike vampire film defies definitive shots at interpretation.
Mar 17, 2008 — During the Second World War, when Hiroshi Teshigahara was a schoolboy, Japan’s cities—above all his hometown, Tokyo—were mercilessly firebombed. He, and his future associates in countless artistic undertakings, returned to a landscape of bleak ruins. The adolescent Hiroshi was particularly...
Essays
Mar 10, 2003 — Vilgot Sjöman’s cultural-sexual sensation sparked much critical and popular mayhem, only to be consigned to nearly instantaneous oblivion.
Feb 10, 2015 — The late film scholar beautifully analyzes the visual lyricism of the French master’s legendary short work.
The Daily
Oct 19, 2020 — The irrepressible spirit of Pasolini wafts in and out of this month’s round.
The Daily
Jul 3, 2020 — A new issue of Cinema Scope, a State of Cinema address from Olivier Assayas, and the Ultimate Summer Movie Showdown are among this week’s highlights.
The Daily
Jul 1, 2019 — Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.
The Daily
Jan 17, 2019 — SXSW presents a program of 102 features and episodics, and the Berlinale’s competition and Special lineups are now complete.