The Criterion Collection
Essays
Jan 21, 2008 — As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”
Essays
Feb 12, 2007 — The trailblazing career of the extraordinary singer, actor, and activist was pivotal to the emergence of a black film aesthetic and, by extension, an African-American cultural identity.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Astrid Hadad
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Claudia Ramírez
Jun 5, 2006 — Painful, beautiful, and discomfiting, Maurice Pialat’s coming-of-age drama remains as startling in its honesty, its unique mix of savagery and delicacy, as it was in 1983.
Oct 24, 2005 — When Samurai Rebellion premiered, on May 27, 1967, the original Japanese title was Joiuchi—hairyo tsuma shimatsu, which means something like Rebellion—Receive the Wife. This title indicates the two concerns of the film: the social impact of an unheard-of act of...
Sep 13, 2004 — About a year and a half ago, a friend and I found ourselves exiled to a cold Midwestern city, where we spent most of our time missing the lazy Texas college town that shaped our idea of the good life....
Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.
Feb 14, 2002 — Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.
Essays
Oct 2, 2000 — The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...