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Driven to Create

The Daily

Nov 11, 2022 This week we’re celebrating Scorsese, rediscovering Noriaki Tsuchimoto, and doing a little close reading with Frederick Wiseman.

Feb 28, 2022 Ulysses Jenkins is an artist of extremes, an innovator who has probed the limits of a wide range of aesthetic modes for over five decades. Though he’s best known for his video art, a medium whose conventions he has been...

Sep 10, 2021 A political thriller, a batch of musicals, conversations with Steve Buscemi, and Sarah Maldoror’s Sambizanga are among this week’s highlights.

A Noir-Tinged Week

The Daily

Aug 13, 2021 This week we’re reading about the first and second waves of noir and taking a good look at a smartly dressed man.

Feb 9, 2021 Renowned for his work with Fellini, Visconti, and Bob Fosse, Rotunno was the first non-American to join the American Society of Cinematographers.

Mar 31, 2020 Everybody loves Show Boat, but where is the love for the woman whose name alone sits above the title in James Whale’s dazzling 1936 film version? Edna Ferber was a best-selling novelist for decades, and in her peak years also...

Sep 9, 2019 In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.

Mar 12, 2018 When the SXSW Film Festival presented the world premiere of Steven Spielberg’s Ready Player One last night, “technical difficulties KO’ed the sound for the second time in a row, bringing the dizzying, VFX-fueled video game adventure to a grinding halt...

Oct 3, 2017 “American Gods star Pablo Schreiber will play astronaut Jim Lovell in Damien Chazelle’s moon-mission movie First Man,” reports Deadline’s Anthony D’Alessandro. In March, D’Alessandro noted that the story, based on James R. Hansen’s 2005 book, “follows NASA’s mission to land...

Aug 10, 2017 Ian Buruma, who’ll become the new editor of the New York Review of Books next month, has a piece in the new issue on The Memory of Justice, “the four-and-a-half-hour documentary that has rarely been seen since 1976 but is...

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