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A Touch of Sin

Jan 11, 1999 This epic reimagining of medieval Russia was the most historically audacious production made in the twenty-odd years after Sergei Eisenstein’s Ivan the Terrible.

Othello

Essays

Jun 27, 1995 Orson Welles’s Shakespeare adaptation was his first first fully independent feature, made without the resources of Hollywood.

Oct 3, 2019 By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...

Dec 12, 2017 “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...

Sep 4, 2017 “Lebanon director Samuel Maoz went in a risky direction by making a film as different and daring as Foxtrot,” writes Jay Weissberg for Variety, “and his boldness pays off in ways that make one reach for superlatives. Not content to...

Karlovy Vary 2017

The Daily

Jun 30, 2017 “Founded in 1946 and situated in the picturesque Czech spa town,” the “Karlovy Vary International Film Festival (KVIFF) is seen as one of the most prestigious events on the circuit,” writes Orlando Parfitt at the top of his preview of...

Jul 27, 2016 Since his debut in the 1970s, Terrence Malick has remained one of American cinema’s most poetic voices, bringing a lyrical touch and philosophical reflectiveness to a wide range of stories and settings. In his 2005 historical drama The New World,...

Jul 23, 2013 Asked by French journalists in a 2001 interview what recent films he most admired, Brian De Palma named Ang Lee’s 1997 The Ice Storm. It was surprising to hear one of the leaders of a filmmaking revolution that aimed at...

Dec 6, 2004 In his first freestanding biblical epic, Cecil B. DeMille recognized and revered a profound quality in the American soul—its ability to leap over every contradiction through an invincible sense of its own righteousness.

Mar 20, 2024 Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

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