The Criterion Collection
Apr 30, 2019 — In 1979, at the age of twenty-eight, Gillian Armstrong shot to international prominence with her first feature, My Brilliant Career, a beautifully realized tale, set in the turn-of-the-century Australian bush, about a young woman with ambitions of becoming a writer....
Apr 15, 2019 — She was known as “a professional innocent”—until Persona (1966) revealed a complex emotional intelligence.
The Daily
Apr 3, 2019 — This month’s round features Dalí’s Marx Brothers movie, Bergman family drama, Welles’s unpublished play, and more.
The Daily
Mar 1, 2019 — Barbara Hammer gives an “exit interview,” Béla Tarr discusses Sátántangó, and Neil Jordan writes about the projects that got away.
Dec 11, 2018 — Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...
Dec 8, 2018 — Bluebeard films, German theorists, Fassbinder’s attack, sensory experiences, and the world’s largest movie studio.
The Daily
Nov 28, 2018 — The career of one of Italy’s greatest directors was riddled with scandal and accolades.
The Daily
Apr 9, 2018 — “Most famous for the exquisite 1979 family classic The Black Stallion, and, to a slightly lesser extent, 1996’s Jeff Daniels and Anna Paquin-starring drama Far Away Home, [Carroll] Ballard is—despite making only six films in a period of almost forty...
The Daily
Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...
The Daily
Mar 14, 2018 — From today through March 30, the Quad Cinema in New York is presenting Pacino’s Way, a decades-spanning retrospective that will build up to screenings of two films Pacino’s directed, Wilde Salomé (2011) and Salomé (2013). “From 1971 to 1976,” writes...