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Mar 12, 2026 A selection of fine writing on this year’s Academy Award nominees.

True/False 2026

The Daily

Mar 4, 2026 Twenty-one world premieres, several critical favorites from Sundance, and the True Vision Award for Ross McElwee.

Feb 24, 2026 For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.

Feb 20, 2026 Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.

Feb 19, 2026 In more than forty nonfiction features, he tried, as he said, “to create dramatic structures out of ordinary experience.”

Feb 18, 2026 One of the most versatile and committed actors in cinema, Duvall was also an accomplished writer and director.

Feb 18, 2026 Among this month’s highlights are a celebration of VHS and how it revolutionized film culture, a spotlight on the Romanian New Wave, and a retrospective of pioneering queer filmmaker Monika Treut.

Feb 13, 2026 This week brings a tribute to Diane Keaton, notes on Taxi Driver at fifty, and three flights of the spirit.

Feb 11, 2026 Opening Friday: Noir City in Seattle, the Nitrate Film Festival in Los Angeles, and Cinéma Du Cashiers in New York.

Feb 6, 2026 There’s an AI-driven reconstruction of The Magnificent Ambersons underway, a restoration of Michael Almereyda’s Nadia in theaters—and more.

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