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To the Night

Oct 6, 2017 Filmmaker Ana Lily Amirpour shares her love for Juzo Itami’s foodie classic in this new video, which we’re sharing just in time for National Noodle Day.

Kurosawa in Seattle

In Theaters

Jan 19, 2017 Repertory PicksThis week in Seattle, Washington, the Grand Illusion Cinema screens a towering portrait of political treachery, Akira Kurosawa’s 1957 Throne of Blood. Transposing Macbeth to medieval Japan, this Shakespearean masterpiece gives Toshiro Mifune one of the most intense roles...

Sep 21, 2015 During his off hours from running the country, President Jimmy Carter was quite the film fanatic, according to an amusing piece by Matt Novak on the Gizmodo site Paleofuture. Novak, after “painstakingly going through the president’s daily journal,” reveals that...

Jan 5, 2015 Who is Tootsie, anyway?

Aug 8, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors about what they consider to be the ten greatest works of cinema ever made and compiled the results. The...

Oct 7, 2011 For Janus Films’ new print of Jean-Luc Godard’s Weekend, which starts showing today, designer Steve Chow created an eye-catching poster that vividly captures that New Wave battering ram’s apocalyptic, sideways vision. This is the third Godard design that Chow has...

Sep 28, 2010 “The past, again and again.” —Major Jack Celliers, Merry Christmas Mr. Lawrence Nagisa Oshima’s filmmaking career began with the risen sun—or rather, with the promise of a sun soon to rise: Tomorrow’s Sun (1959), a dizzyingly designed faux “coming attraction”...

Jan 31, 2005 Like the movie’s rattletrap trucks lurching down the highway as they carry way-too-heavy loads, the characters in Jules Dassin’s brilliantly volatile Thieves’ Highway struggle under psychological and moral baggage until they can lay their burdens down. Working from a novel...

Sep 13, 2004 The following piece by Sony Pictures Classics cofounder and copresident Michael Barker, who picked up Slacker for Orion Classics in 1991, originally appeared in the program for the 2001 Austin Film Society event Slacker: A Ten-Year Reunion. What I’ve found...

Dec 9, 1991 We used as much of the actual detail of physical things and of technique as we could possibly cram in, and as many players reflecting the endless variety of character and emotion of the real men as dramatization would allow.

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