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For His Son

Nov 30, 2010 Some things those of us who work at the Criterion Collection are serious about: movies (maybe you knew that), getting the details right, and eating and drinking. So when the recipes for the absurdly delicious-looking food the Yokoyamas prepare in...

A leading figure of the Japanese New Wave, this radical filmmaker tackled taboos and politically charged subjects with stylistic flair and striking symbolism.

Apr 23, 2009 This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.

Nov 13, 2008 Mitch Mitchell, the inimitable drummer featured in all of the Jimi Hendrix material in Monterey Pop, died this week at age sixty-one. A one-of-a-kind player, Mitchell was the perfect foil for Hendrix and integral to the sound of the Jimi...

Sep 13, 2004 The following piece by Sony Pictures Classics cofounder and copresident Michael Barker, who picked up Slacker for Orion Classics in 1991, originally appeared in the program for the 2001 Austin Film Society event Slacker: A Ten-Year Reunion. What I’ve found...

Jul 19, 2004 Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”

Le Million

Essays

May 15, 2000 In René Clair’s ebullient early talkie, an unsentimental love of humanity permeates every frame.

Swing Time

Essays

Mar 12, 1990 This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.

Nov 19, 1989 Almost as long as they’ve been able to talk, films have been able to sing and dance. Frequently high-style, often rapturously romantic, most musicals have nonetheless been content to remain light, sophisticated entertainment. Still, there has always been a minority...

The Blob

Essays

Mar 6, 1989 This black-and-white horror flick is the definitive ‘50s film about a town that won’t listen to the kids until it’s too late.

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