A Time and a Place

Oct 3, 2017 — From Catherine Grant comes word that the third issue of Film Journal is now online, and it’s got a theme: “Since the Lumière Brothers’ The Arrival of a Train at La Ciotat Station (L’Arrivée d’un train en gare de La...

Sep 15, 2017 — Our first order of business here is to catch up with an item or two you’ve most likely already heard enough about. But there’s no getting around at least a mention of the replacement of Colin Trevorrow as director of...

Aug 3, 2017 — Anthology Film Archives and Light Industry are teaming up on a new edition of Stan Brakhage’s Metaphors on Vision. “First published in 1963 by Jonas Mekas as a special issue of Film Culture, it stands as the major theoretical statement...

Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.

Aug 19, 2002 — Ronald Neame’s dramedy has the distinction of being the only “feel-good” realistic spy film ever made, walking a fine line between topicality and escapism.

Aug 28, 2000 — Alberto Lattuada’s gifts for dramatic narrative were joined for the first and last time with Federico Fellini’s flair for cartoonish satire and lyrical sentiment.

Nov 11, 2025 — “It’s the end of the world, but keep dancing,” says Laxe.

Jul 19, 2019 — In 1983, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall undertook to make a documentary about the lives of homeless and runaway teenagers in Seattle, expanding on the work that Mark and McCall had done for a...

May 13, 2018 — Critics may differ on Jia’s sprawling gangster movie, but all agree that Zhao Tao is outstanding.

Aug 2, 2010 — The great, beloved screenwriter Suso Cecchi D’Amico died this past weekend at the age of ninety-six. A longtime collaborator of Luchino Visconti’s (they’re pictured together above), including on the epic The Leopard (1963), Cecchi D’Amico worked with just about every...