Feb 7, 2020 — Retrospectives of the German filmmaker’s work precede the release of I Was at Home, But . . . (2019)

Feb 5, 2020 — Performances Judy Davis chomps softly into Naked Lunch: into twisted behavior, into the nuanced meat of the moment, into the juicy black center of the psychic abyss. Bombed-out but supernally alert and incongruously amused, she injects a syringe into her...

Feb 3, 2020 — Nearly half of the awards presented over the weekend went to female filmmakers.

Jan 31, 2020 — This week: Scorsese’s actresses, Paul Schrader’s plans, Lynne Sachs on Godard, Ritwik Ghatak’s rising reputation, and Bong Joon-ho everywhere.

Jan 30, 2020 — Check out what’s in store next month on our streaming service!

Jan 29, 2020 — It is almost impossible to discuss Sidney Lumet’s Cold War thriller Fail Safe without also considering its more financially successful cinematic foil and fellow 1964 Columbia Pictures release, Stanley Kubrick’s Cold War satire Dr. Strangelove, or: How I Learned to...

Jan 29, 2020 — The festival will premiere new work from Christian Petzold, Hong Sang-soo, Philippe Garrel, Sally Potter, Mohammad Rasoulof, and Tsai Ming-liang.

Jan 28, 2020 — Motherhood is a recurring subject in the films of Pedro Almodóvar. The mothers in his movies are fierce, passionate, and resourceful—often in varying combinations, and to varying extremes. In Almodóvar’s darkly satirical fourth feature, What Have I Done to Deserve...

Jan 28, 2020 — The unpredictable story of a family of petty criminals features Evan Rachel Wood, Gina Rodriguez, Richard Jenkins, and Debra Winger.

Jan 27, 2020 — Kirby Dick and Amy Ziering’s On the Record and Kitty Green’s The Assistant explore the “ecosystems of power” that enable abusers.

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