The Criterion Collection
Short Takes
Aug 7, 2013 — In 1958, in the midst of his most fecund cinematic period, Yasujiro Ozu made his first color film, the splendid Equinox Flower. Like so many of Ozu’s films, this poignant drama is about the subtly difficult emotional landscape navigated by...
Aug 2, 2013 — Did You See This?• Preparing Babette’s pièce de résistance • We’ll never get enough Eileen Brennan. • A Stark look at Donald Westlake • A D. W. Griffith behemoth resurfaces. • n + 1 + summer movies = awesome •...
Sneak Peeks
Jul 23, 2013 — The Oscar-winning Babette’s Feast has a cinematic flavor unlike any other film. Director Gabriel Axel invites viewers to swoon over the sensual and spiritual experience of the climactic meal as if they were eating it themselves. By the end of...
Jul 12, 2013 — Did You See This?• Movies and the art that inspired them • Explore the world of Pasolini. • A very Cool Chicago • The Dissolve has materialized. • Discussing the importance of Shoah • Dave Kehr matters. • Peter Bogdanovich...
Jul 5, 2013 — Did You See This?• Movies from sea to shining sea • J. Hoberman gets medieval. • Woody Allen can’t stop working. • The Saul Bellow cinema that never was • Monochrome movies are back. • Richard Brody is under the...
Jul 3, 2013 — PerformancesIn Rosemary’s Baby, one of the first exclamations that Minnie Castevet (Ruth Gordon) makes on hearing the news that her young neighbor Rosemary (Mia Farrow) is expecting a little bundle of joy is “I can’t wait to tell Laura-Louise!” Earlier,...
Jun 28, 2013 — Did You See This?• The Times of Harvey Milk, Weekend, and other essential LGBT cinema • The Hitchcock 9 are here. • Badlands inspires a book of photographs. • Proving 8½’s influence • Remembering a stellar sci-fi scribe • The...
Jun 21, 2013 — Did You See This?• Lunching with Orson Welles • The doyenne of the New Queer Cinema is back. • Matt Zoller Seitz remembers James Gandolfini. • Television’s new golden age is a man’s world. • Kicking back with Dad •...
Jun 19, 2013 — Disorienting, brutal, and bloody beautiful, František Vláčil’s epic is a dark medieval vision teeming with cinematic invention.