The Criterion Collection
Essays
Jun 14, 2022 — Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.
The Daily
Jun 1, 2022 — UCLA spotlights a diverse array of American lives depicted in films made between 1984 and 2020.
May 31, 2022 — Billy Wilder’s classic film noir is a powerful meditation on masculinity, desire, and the fantasies of white America.
Features
May 13, 2022 — The director of We’re All Going to the World’s Fair reflects on the transformative power of a Sonic Youth needle drop in Olivier Assayas’s 1996 film.
May 12, 2022 — New York’s Museum of the Moving Image presents a series of nineteen films shot by the accomplished cinematographer.
May 5, 2022 — Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...
On the Channel
Apr 29, 2022 — Channel Calendars This month on the Criterion Channel, we’re celebrating the career of one of our favorite contemporary American filmmakers—the independent, inquisitive, and ever-eclectic Richard Linklater—with a retrospective of beloved hits and lesser-known gems selected by the director himself. Take...
The Daily
Apr 26, 2022 — The Sydney-based festival of new restorations offers a rich set of globally accessible program notes.
Features
Apr 21, 2022 — In 1948, leftist filmmaker Leo Hurwitz directed a documentary whose title summed up the uncertainty of its moment: for America’s antifascists, the end of the Second World War was a Strange Victory indeed. Using newsreels from the war’s front lines,...
The Daily
Mar 29, 2022 — The American Cinematheque in Los Angeles presents a dozen highlights from an astonishing career.