The Criterion Collection
Nov 1, 2022 — A film of rich colors, mournful silences, and haunting symmetries, Wong Kar Wai’s masterpiece is a meticulously constructed memory box that invites fetishistic dissection.
The Daily
Oct 6, 2022 — Once again, the New York Film Festival presents not one but two new films by Hong Sangsoo.
The Daily
Sep 30, 2022 — We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).
Sep 28, 2022 — This melodrama, made by André de Toth in his native Hungary, anticipates the unease of the director’s postwar Hollywood films with an array of radical stylistic choices and jarring visual tensions.
The Daily
Sep 27, 2022 — The Austrian Film Museum and MoMA will present new restorations, talks, and live readings.
The Daily
Sep 20, 2022 — A new collection introduces a major French critic and editor to English-speaking cinephiles.
The Daily
Sep 14, 2022 — Always innovating, Godard was one of the most vital and influential figures in the history of cinema.
The Daily
Aug 18, 2022 — This week’s announcements from Toronto and New York promise tantalizing world premieres and other highlights of the season.
The Daily
Aug 5, 2022 — We wrap the week with melodrama and Odorama, a new magazine, and the summer of 1982.
The Daily
Aug 1, 2022 — The Austin Film Society presents films directed by Anna Karina, Juliet Berto, Jeanne Moreau, and Delphine Seyrig.