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The Daily
Oct 3, 2017 — From Catherine Grant comes word that the third issue of Film Journal is now online, and it’s got a theme: “Since the Lumière Brothers’ The Arrival of a Train at La Ciotat Station (L’Arrivée d’un train en gare de La...
Sep 18, 2017 — New York. “The Whole World Sings: International Musicals, a weeklong, thirteen-film series at the Quad, is an education in song-and-dance practices outside the Hollywood one,” writes Nick Pinkerton for 4Columns. “René Clair’s Le Million (1931) [image above] is the earliest...
The Daily
Sep 11, 2017 — “On paper, what could be more sordid than an interview-portrait with Issei Sagawa, the infamous cannibal who became a tabloid sensation in the early 80s after he murdered and ate part of a Dutch woman in Paris?” asks Dan Sullivan...
The Daily
Aug 27, 2017 — Tobe Hooper, whose 1974 shocker The Texas Chain Saw Massacre “became one of the most influential horror films of all time,” as Pat Saperstein puts it in Variety, has passed away at the age of seventy-four. Saperstein: “Shot for less...
The Daily
Aug 16, 2017 — New York. Boxing on Film: Part 1, a series opening at Anthology Film Archives on Friday and running through August 27, focuses “on the barbarity of pugilism while also exalting the elemental spectacle of two men trying to knock each...
The Daily
Aug 9, 2017 — New York. “Though Fire Island is the movie’s very recognizable locale, it is filmed in arcadianly remote aspects of sunlight, shade and water, and narrated simply on the solemn, picturesque, stark level of myth. . . . The world as...
Jul 28, 2017 — A new 4K restoration of James Cameron’s Terminator 2: Judgment Day (1991), converted to 3D, is heading to theaters on August 25. Now James Wigney of the New Corp Australia Network reports that “Cameron says he is in negotiations to...
The Daily
Jun 15, 2017 — With Kino Lorber’s new restoration opening at the Metrograph in New York tomorrow, where it’ll be screening through Wednesday, and then playing at Cinefamily in Los Angeles from July 7 through 13, we begin with Alan Scherstuhl in the Village...
The Daily
Jun 8, 2017 — When we think of American cinema in the 1970s, it’s the “New Hollywood” that first comes to mind, landmark films such as The Godfather and Taxi Driver, Nashville and Chinatown. In his new book, Opening Wednesday at a Theater or...
May 27, 2017 — Today’s journey back through Cannes history takes me to the festival’s fifty-ninth edition, when Ken Loach won the Palme d’Or for The Wind That Shakes the Barley—a film currently playing in a limited engagement on the Criterion Channel at FilmStruck....