Every Day

May 13, 2024 — Among this month’s highlights are a bustling summer barbecue of amply peopled movies full of unforgettable performances, a collection of films with great synth soundtracks, and Adventures in Moviegoing with Paul Schrader.

May 26, 2022 — Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.

Nov 12, 2007 — I’ve always been fascinated by the details of getting places. Bill Becker would often say that the best part of a trip for me was getting there and back—what happened while I was there was less important. Figuring out how...

Feb 22, 2012 — Oren Moverman, who appears as a visitor to the theater in Vanya on 42nd Street, is the cowriter and director of the 2010 Oscar-nominated The Messenger. He served as a screenwriter on I’m Not There, Married Life, and Jesus’ Son,...

Apr 29, 2014 — One legendary American director pays tribute to another.

Oct 18, 2009 —  So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...

May 14, 2020 — Restoration Spotlight I was just coming of age as a moviegoer when digital video hit the big screens, around the turn of the twenty-first century. At the time, I remember being every bit as entranced by the gritty horror of...

Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...

Dec 4, 2006 — I had said that I was going to write about growing up with a projector in my attic, and Peter’s writing about home last week brought back some memories. Movies were cool. In the late sixties, my father would bring...

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...