The actor and star of Nosferatu, Juror #2, and The Order shares why Shallow Grave is seared into his memory, talks about his love for Peter Sellers’s performance in Being There, and selects favorites by Bruce Lee, the Coen brothers,...

The writer and director of Nosferatu shares his fascination with Sergei Parajanov’s ornate tableaus, praises costume designer Piero Tosi’s work on Medea and Death in Venice, and talks about how Jack Clayton’s The Innocents ignites his imagination.

The director of I’m Still Here shares why Andrei Rublev and Stranger Than Paradise consistently renew his faith in cinema, talks about the unique mix of documentary and fiction in Memories of Underdevelopment, and praises how Garrett Bradley’s Time shows...

The director of Maria talks about why Berlin Alexanderplatz is a masterclass on character and capturing a city, praises Maria Callas’s performance in Pier Paolo Pasolini’s Medea, and shares how Boyhood is proof that cinema can evoke the feeling of...

The celebrated actors and costars of The Return recommend favorites to each other, share their love for Andrei Tarkovsky and Orson Welles, and discover such Eclipse box sets as The First Films of Samuel Fuller and Basil Dearden’s London Underground.

The director and cowriter of Emilia Pérez shares his love for Fritz Lang’s rich visual language, compares Robert Altman’s narratives to “surrealist exquisite-corpse exercises,” and praises the Viennese sensibility of Max Ophuls’s La ronde.

The legendary filmmaker praises Jacques Tati’s dedication to getting his films made, reflects on the lessons he learned from Dorothy Arzner when she was his professor, and shares the joy he finds in inspiring new generations of directors.

The actor and star of Anora talks about Five Easy Pieces and being drawn to morally ambiguous characters, praises Isabelle Huppert’s performance in The Piano Teacher as one of the greatest of all time, and selects Take Out, one of...

The director and cowriter of WALL·E shares why Paper Moon and Local Hero speak to his heart, reminisces about the privilege of collaborating with Albert Brooks, and talks about why Matewan is an essential film for everyone to see.

The filmmaker and author shares how Hollywood Shuffle and Slacker inspired him to make movies, talks about why actors make great directors, and selects favorites such as His Girl Friday and Bull Durham.

Current Page
206
of 307

You have no items in your shopping cart