The Criterion Collection
Oct 15, 2013 — Georges Franju’s masterpiece is the most chilling expression in cinema of our ancient preoccupation with the nature of identity.
Aug 21, 2012 — Andrew Haigh’s boy-meets-boy story reminds us that the biggest pleasures of falling in love come from the little moments of connection.
Essays
Jul 24, 2012 — Whit Stillman’s wry comedy about Upper East Siders looked like a perverse bit of daring in 1990; today it seems like an artifact from an earlier century.
Essays
Sep 26, 2011 — No preconceptions. No rehearsals. No rules. Assayas's on-the-fly bio is exhilaratingly all over the map.
Feb 1, 2011 — When Krzysztof Kieślowski’s The Double Life of Véronique was first screened at Cannes, in 1991, the critical reception was rapturous. Georgia Brown declared in the Village Voice, “Anything I say about [the film] is merely a labored minuet danced around...
Jan 26, 2010 — If Paris, Texas is a love letter to America and American cinema, it now also has something of the feel of a farewell: the world to which Wenders pays homage is vanishing fast.
Nov 2, 2009 — The following, written in 1986, is from the first treatment for Wings of Desire. And we, spectators always, everywhere,looking at, never out of, everything!—Rilke, “The Eighth Elegy” At first it’s not possible to describe anything beyond a wish or a...
Apr 21, 2008 — Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.
Essays
May 21, 2007 — In January 1948, British film producer Sir Alexander Korda, head of British-Lion and London Film Productions, commissioned novelist Graham Greene to write and research “an original postwar continental story to be based on either or both of the following territories:...
Aug 23, 2004 — This drama about young dreamers is the first definitive plunge into many of Federico Fellini’s dominant thematic and imagistic preoccupations.