The Criterion Collection
Nov 28, 2016 — PerformancesAny paean to noir seductress nonpareil Gloria Grahame—mine included—can’t hope to surpass this encomium from Boyd McDonald, one of her most ardent and articulate devotees. Saluting Grahame’s performance in In a Lonely Place (1950) in his essential 1985 compendium, Cruising...
Essays
Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.
Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
Essays
Oct 26, 2016 — The tropes of light comedy give way to a Kafkaesque nightmare in this incendiary critique of moral rot in Franco-era Spain.
Oct 21, 2016 — Did You See This? The 2016 Gotham Award nominations were announced yesterday, and we were proud to see Kirsten Johnson’s Cameraperson, a Janus Films release, in contention for best documentary. Writing on Claude Arnaud’s expansive new book, Jean Cocteau: A...
Oct 19, 2016 — Martha Karsh, editor of The Beatles A Hard Day’s Night: A Private Archive, published in September by Phaidon, talks about her family’s Beatlemania and assembling a book about the world’s most famous rock band.
Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.
In Theaters
Oct 13, 2016 — Jean Renoir’s captivating coming-of-age tale The River, playing at the San Francisco Museum of Modern Art, centers on the relationship between three teenage girls growing up in Bengal, India.
Oct 6, 2016 — We’re excited to share the latest news about the launch of FilmStruck and the Criterion Channel.