And at Last

May 13, 2025 — Here’s a sampling of what we can look forward to in each of the festival’s programs.

Jan 13, 2025 — Toronto’s retrospective showcases an oeuvre that ranges from Fists in the Pocket (1965) to Kidnapped (2023).

Jul 24, 2024 — The retrospective lays the groundwork for the release of a new restoration of Army of Shadows.

Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.

Apr 18, 2024 — As TCM turns thirty, the festival opens with a thirtieth-anniversary screening of Pulp Fiction.

Apr 9, 2024 — In Steven Zaillian’s eight-episode series, Andrew Scott gives us what many find to be the definitive Tom Ripley.

Mar 8, 2024 — This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.

Dec 13, 2023 — Through the ages, some tales have spread their seeds like trees, creating forests of imagination. Fairy tales often have that quality. But I doubt that Carlo Collodi, the author of the 1883 novel Pinocchio, would like his story to be...

Dec 5, 2023 — A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...

Oct 17, 2023 — MoMA will screen two films by one of Iran’s greatest directors—who, along with his wife, has been murdered.