The Criterion Collection
Features
Jul 25, 2019 — My first three films—Angela, Personal Velocity, and The Ballad of Jack and Rose—are all mysteries of female identity, how it can be warped, destroyed, or saved, particularly in the context of family and sexual love. These films are highly charged...
Essays
Jul 9, 2019 — Agnieszka Holland’s 1990 film Europa Europa recounts the incredible but true story of how Salomon Perel, born in 1925 in Germany to a Polish Jewish family, survived the Holocaust by posing as a pure Aryan German raised in Poland. Recruited...
May 2, 2019 — When I first saw My Brilliant Career, when it was released in New York in 1980, I was ignorant of director “Gill” Armstrong. I assumed she was a man, because at the time I could count the female directors I...
The Daily
Apr 17, 2019 — Showcasing new work by filmmakers at the forefront of nonfiction and hybrid cinema, this year’s edition also pays tribute to three vital groundbreakers.
The Daily
Feb 13, 2019 — The utterly delightful new film is the ninety-year-old artist’s guide to her films, photography, and visual art.
The Daily
Feb 11, 2019 — Thomas Heise, Stephan Geene, and Lei Lei innovatively reconstruct stories from the not-so-distant past.
The Daily
Feb 8, 2019 — Norman Jewison and Ray Charles, Jules Feiffer and Alain Renais, and Jia Zhangke and Apple.
Jan 28, 2019 — With WR: Mysteries of the Organism, the late Serbian director made what Amos Vogel called “one of the most important subversive masterpieces of the 1970s.”
Jan 24, 2019 — Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.
The Daily
Jan 3, 2019 — We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.