The Criterion Collection
Apr 24, 2012 — Among the most widely seen photographs of Hollis Frampton is one of him as a young man, a self-portrait taken in 1959, if we are to trust the narration he composed to accompany its inclusion in his 1971 film (nostalgia)....
Apr 17, 2012 — When it was first released in 1977, ¡Alambrista! depicted something previously unseen in American fiction films—the lives of undocumented Mexican immigrants from their point of view. Though writer-director-cinematographer Robert M. Young was not Latino and didn’t speak Spanish, his film convincingly...
Mar 27, 2012 — Noël Coward and David Lean created a patriotic diptych with their first two films: In Which We Serve, from 1942, about the bravery and sacrifice of British sailors and those who love them, and the 1944 This Happy Breed, on...
Mar 26, 2012 — A Night to Remember, the 1958 British film adaptation of Walter Lord’s 1955 book about the brief life and agonizing death of the Titanic, has proven unsinkable. With its Olympian yet unfailingly life-size view of the disaster that scuttled illusions...
Mar 21, 2012 — The famed collaboration between director Mikhail Kalatozov and cinematographer Sergei Urusevsky, which, with its distinctive combination of effective melodrama and a wild, powerful visual style, helped make Kalatozov the most successful Soviet cinematic export of his generation, in fact spanned...
Essays
Mar 20, 2012 — Even more than with most documentaries that set out to record events as they happen, there was a lot of luck involved in producing The War Room (1993). When they turned their attention to Bill Clinton’s presidential campaign in 1992,...
Mar 9, 2012 — The cinematographer tells us how he and Louis Malle went about shooting Vanya on 42nd Street in a decrepit Manhattan theater.
Feb 24, 2012 — The writer reflects on the decades-long creative collaboration and friendship between his father, playwright and television writer Elihu Winer, and John Voelker, judge and author.