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Jan 25, 2019 — Gifted with crack timing and a caustic wit, Elaine May first came up as an improv comedian in the late fifties, forming the popular satirical tandem of Nichols and May with her college classmate Mike Nichols. By the time May...

Jan 23, 2019 — Checking in on how the nominees are currently faring with critics and awards prognosticators.

Jan 23, 2019 — Under the Influence With his latest movie, They’ll Love Me When I’m Dead, Oscar-winning documentary filmmaker Morgan Neville trained his focus on one of cinema history’s most outsize personalities. The film—released just months after Neville’s Fred Rogers profile Won’t You...

Jan 22, 2019 — The Forum will also launch new films by Dan Sallitt, Heinz Emigholz, Sofia Bohdanowicz and Deragh Campbell, and Thomas Heise.

Jan 22, 2019 — Elaine May is a writer and filmmaker and actor and improviser, but beyond that, she is an artist whose career-long quest for truth has driven her to create work that has taken many forms but always sought to cast aside...

Jan 17, 2019 — SXSW presents a program of 102 features and episodics, and the Berlinale’s competition and Special lineups are now complete.

Jan 16, 2019 — Unquiet is the first of Linn Ullmann’s books to directly address her parents. Plus, the criticism of Rivette and Bazin, a radio campaign led by Welles, and more.

Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...

Jan 10, 2019 — Repertory Picks Tomorrow evening at 7, as one of the courses in its Dastardly Dinners series, the Indiana University Cinema will give moviegoers a chance to feast their eyes on Luis Buñuel’s 1962 The Exterminating Angel. One of the handful...

Jan 9, 2019 — The Sopranos Film Festival celebrates the twentieth anniversary of the landmark show. Plus news from Rotterdam, Berlin, Austin, and Park City.