The Criterion Collection
Essays
Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.
On the Channel
Aug 27, 2018 — British master Terence Davies makes evocative use of dissolves to create a slippery narrative structure driven by emotion and memory.
Apr 11, 2019 — Every Friday on the newly launched Criterion Channel, we’ll be playing matchmaker, presenting a double bill of films that, for one reason or another, belong beside each other. Our Double Features will be sure to multiply your viewing pleasure, whether...
Jul 4, 2018 — Wim Wenders and Jim Jarmusch have always been eager to credit the Dutch cinematographer for teaching them about color and light.
Jan 11, 2016 — In honor of the great cinematographer, our technical director shares some memories of encountering the man and his work.
Features
Oct 24, 2025 — This French art-horror master shocked audiences with a string of sexy vampire movies often centered on complex female friendships and women-ruled fantasy worlds.
Oct 15, 2024 — This jolt of delicious weirdness from Japanese New Wave master Masahiro Shinoda is both a reverent salute to Kabuki and a self-consciously postmodern take on its traditions.
Sneak Peeks
Jul 16, 2018 — In this outtake from an interview with Shangkuan Ling-fung, the Taiwanese wuxia icon gets nostalgic about her encounters with Bruce Lee.
Nov 11, 2009 — As a member of the Harlem Amateur Players, Robeson had heard a great deal about Brutus Jones from the Playhouse’s set designer, Cleo Throckmorton. Moved by Robeson’s performances with the Manhattan-based troupe, Throckmorton was the first to approach him about...
Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.