She and He

Nov 22, 2011 — 12 Angry Men (1957), the first feature film directed by the legendary Sidney Lumet, is a Hollywood classic that, ironically, helped to define an era of filmmaking grounded in the gritty realism and frenetic energy of urban New York. A...

Nov 15, 2011 — You make films to give people something, to transport them somewhere else, and it doesn’t matter if you transport them to a world of intuition or a world of the intellect.Krzysztof Kieślowski said that he did not care about cinema,...

Sep 26, 2011 — No preconceptions. No rehearsals. No rules. Assayas's on-the-fly bio is exhilaratingly all over the map.

Aug 24, 2011 — NOTE: The following essay contains spoilers. Not long into Lee Chang-dong’s Secret Sunshine (2007), a melodrama about suffering, salvation, and the dangerously blurred line between belief and madness, the heroine encounters the first of several challenges to her way of...

Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...

Aug 16, 2011 — “It is my best film. I always loved it. I always believed in it. It is real cinema, done for cinema—like art for art.” That was Roman Polanski’s view of Cul-de-sac in 1970, four years after its release and just...

Jul 26, 2011 — To a secular eye, Jean-Pierre Melville’s sixth feature film, Léon Morin, Priest (1961), is about almost anything except religion: the deleterious effects of sexual repression, the moral bleariness of wartime and life under occupation, the harsh inflections of history in...

Jul 19, 2011 — In May 1956, an Indian film was screened at the Cannes Film Festival. It wasn’t well attended. The Indian delegation had done little to promote it, arranging only a single midnight screening that clashed with a party in honor of...

Jul 12, 2011 — Heeeere’s Johnny, the desperate, destructive prophet-of-the-apocalypse protagonist of Mike Leigh’s brilliantly corrosive Naked (1993), a sexually explicit update to a long line of British films, plays, and novels about angry young men. Johnny might be mistaken for a mere misanthrope,...

Jun 27, 2011 — I’m not sure when I became a Peter Falk fan. I fondly remember watching Columbo on Sunday evenings with my parents more than forty years ago. I’m happy to say it’s a tradition that I’ve kept up with my own...