Gertrud

Essays

Aug 20, 2001 Carl Dreyer’s modern tragedy eschews melodrama, striking a balance between suffering and triviality.

Feb 19, 2001 Leaving the theater after the tumultuous world premiere of Do the Right Thing at Cannes in May of 1989, I found myself too shaken to speak, and I avoided the clusters of people where arguments were already heating up. One...

W. C. Fields

Essays

Aug 28, 2000 The acclaimed humorist’s work sees the range of human folly sans romance and piety.

Jun 26, 2000 Kevin Smith writes about his third feature as a sort of penance/valentine for the woman who made him grow up.

May 15, 2000 Herk Harvey described to me a strange outdoor ballroom he had seen rotting on the shores of the Great Salt Lake. . . and said he’d like to make a film about creatures rising from the lake and doing a...

Jan 10, 2000 The Night Porter is a provocative and problematic film. Made in 1974 by Italian director Liliana Cavani, it can be seen as an exercise in perversion and exploitation of the Holocaust for the sake of sensationalism. On the other hand,...

Seven Samurai

Essays

Nov 22, 1999 Breathtaking, fastmoving, and overflowing with a delightfully self-mocking sense of humor, Akira Kurosawa’s Seven Samurai is one of the most popular and influential Japanese films ever made. Released in 1954, this rip-snorting action-adventure epic about a sixteenth-century farm community led...

Amarcord

Essays

Nov 22, 1999 Amarcord presents a scathing satirical critique of Italian provincial life during the 1930s, the height of the fascist period (1922–43). In this era, Mussolini’s dictatorship enjoyed its greatest popular support. While Fellini’s depiction of the provincial world under fascism provides...

Nov 8, 1999 The virgin of Orleans and those matters that surrounded her death began to interest me when the shepherd girl’s canonization in 1920* once again drew the attention of the public-at-large to the events and actions involving her—and not only in...

Brazil

Essays

Sep 27, 1999 While researching a book on the making of and the feud over the American release of Terry Gilliam’s Brazil, I read nearly every review published in the U.S., and saw very few that failed to describe the story as “futuristic”...

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