Life in a Day

Dec 10, 2021 — This week sees new issues from New York, Cineaste, Film Quarterly, and the Brooklyn Rail.

Nov 12, 2021 — First Person At the end of February of 2020, I watched The Gleaners and I with my boyfriend at BAM. It was, I thought, an ordinary day. We bought tickets in advance because we knew the small theater’s screenings always...

Nov 10, 2021 — Over time, the former child star learned to love his work.

Nov 4, 2021 — So far, the Museum’s programmers have selected nearly twenty films that they believe “will stand the test of time.”

Oct 20, 2021 — The range this month stretches from the silent era to this weekend’s launch of The Liberated Film Club.

Oct 20, 2021 — This uncanny tale of existential anxiety stands out as the most rigorously pared-down American science-fiction film of the 1950s.

Oct 15, 2021 — This week: Visconti, Bertolucci, Sumiko Haneda, Lynne Sachs, and designer Barbara Baranowska.

Oct 1, 2021 — Deep Dives Because he’s Orson Welles, even during a less-bankable stretch of his career, he received top billing in Three Cases of Murder. Welles was also pictured most prominently on all the promotional materials for this little-known 1955 British anthology...

Aug 30, 2021 — As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.

Aug 20, 2021 — This week we’re appreciating performances from Elliott Gould and Elaine Stritch and delving into the work of Lav Diaz and Kevin Jerome Everson.