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Every Day

Dec 9, 1991 We used as much of the actual detail of physical things and of technique as we could possibly cram in, and as many players reflecting the endless variety of character and emotion of the real men as dramatization would allow.

The River

Essays

Sep 4, 1989 Unintentionally, Jean Renoir’s India-set drama had become an early example of the dissolution of plot critics would hail ten years later in L’avventura.

Nov 6, 2006 The New York Times ran a really nice piece about the Janus box this morning. It started on the front page of the Arts section and jumped to another half page inside. It featured big pictures from M, L'Avventura, Seven...

Sep 12, 2016 During a research mission to Spain, Criterion web producer/researcher Valeria Rotella takes a day trip to the medieval desert town of Chinchón, where Orson Welles is rumored to have shot Chimes at Midnight and The Immortal Story.

December Books

The Daily

Dec 18, 2025 At year’s end, we’re reading about the partnership and breakup of Alfred Hitchcock and composer Bernard Herrmann—and much more.

May Books

The Daily

May 30, 2024 The season brings new biographies of Ingmar Bergman and Elaine May, a novel by Miranda July, plus interviews, excerpts, and podcasts

Aug 29, 2023 Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...

Jun 14, 2023 In her deeply empathetic documentaries, the British filmmaker illuminates the lives of ordinary people who have quietly created new identities and possibilities for themselves.

Feb 13, 2017 One Scene Romantic love is poignant because it is an infinite feeling that exists in a finite frame. And Richard Linklater’s Before Trilogy is the most romantic and profound of love stories because it imbues love with the weight of...

Aug 4, 2014 Rebellious children of the sixties become conflicted consumers of the eighties in Lawrence Kasdan’s elegiac comedy-drama.

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