Performance.

Dec 14, 2020 — This year’s selection features a record number of films directed by women and people of color.

Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...

Nov 25, 2020 — “Yes, life is a dream, but sometimes that dream is a fatal abyss.” Wanda in The White Sheik (1952) I have a vivid memory from the first film-studies class I enrolled in, a class on Italian neorealism, where the weekly...

Nov 16, 2020 — The renowned Bengali actor, playwright, and poet will be remembered first and foremost for his work with Satyajit Ray.

Oct 20, 2020 — Despite the preponderance of tales of coming of age and sexual awakening in American independent cinema, it’s still rare to encounter a movie that deals with experiences of intimacy between young LGBT characters in a way that feels honest, candid,...

Oct 16, 2020 — First Person One of the internet’s more delightful creations is a compilation of Aaron Sorkin quotes assembled by a man named Kevin Porter in 2012. Its purpose is to expose the screenwriter’s propensity for repetition. Some of the examples, plucked...

Oct 6, 2020 — Critics split over a chase movie drenched in lush ambiance.

Oct 1, 2020 — Martin Scorsese’s World Cinema Project No. 3 An artist, critic, and scholar highly respected in his native Iran but too little known in the West, Bahram Beyzaie is a gifted autodidact of traditional and modern theater and performing arts, and...

Sep 25, 2020 — This week there’s a new Film Quarterly and a new frieze and fresh conversations with Jan Oxenberg and Paul Cronin.

Sep 23, 2020 — From Hitchcock’s orbit to The Architecture of Cinematic Spaces, here’s some of this month’s best writing on new books.