The Criterion Collection
Feb 19, 2019 — A master at adapting literary classics for the screen, Luchino Visconti made a bold choice in emphasizing the homoerotic undertones in Thomas Mann’s novella.
The Daily
Feb 15, 2019 — New restorations, a new trailer, new translations, a new publication, and new perspectives on an awesome and abhorrent film.
The Daily
Feb 13, 2019 — The utterly delightful new film is the ninety-year-old artist’s guide to her films, photography, and visual art.
The Daily
Feb 8, 2019 — He became a star in Britain’s “angry young men” era, but some of his best work would come decades later.
The Daily
Feb 8, 2019 — Norman Jewison and Ray Charles, Jules Feiffer and Alain Renais, and Jia Zhangke and Apple.
Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...
The Daily
Feb 5, 2019 — The festival focuses on promising filmmakers few of us know much about yet and neglected treasures from the archives.
Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...
Feb 4, 2019 — Performances The first movie that Nicolas Roeg and Theresa Russell made together, Bad Timing (1980), was denounced by its distributor, the Rank Organisation, as a “sick film made by sick people for sick people,” which may sound to some like...
The Daily
Feb 1, 2019 — Rotterdam and Vanity Fair get a cinephile’s dream roster of filmmakers talking about their work.