Why Che?

Essays

Jan 18, 2010 Steven Soderbergh’s Che depicts the two military campaigns that defined the rise and fall of Ernesto “Che” Guevara, hero of the Cuban Revolution, who became in death a global icon of militant leftism—and of inchoate adolescent rebellion. As the latter,...

Dec 21, 2009 Me and Orson Welles is the latest film from director Richard Linklater (Slacker, Dazed and Confused). Set in late-1930s New York, it’s both a nuanced, entertaining look at Orson Welles’s early career as founder of the Mercury Theater and a...

Dec 1, 2009 Mick Jagger’s former assistant remembers the joy and chaos of touring with the Stones.

Dec 1, 2009 The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...

Dec 1, 2009 Running a taut ninety-one minutes, this documentary about the Rolling Stones is a masterpiece of restraint and understatement.

Dec 1, 2009 In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...

Nov 30, 2009 The following essay was originally written for Criterion’s website in 2005, on the occasion of the DVD release of Powell and Pressburger’s The Tales of Hoffmann. We have posted it here to coincide with BFI Southbank’s ongoing Hein Heckroth exhibition...

Nov 24, 2009 For twenty years, the remains of television’s self-proclaimed golden age lay dormant in the vaults of the commercial networks. I remember traveling, as a young researcher for NBC, to Englewood Cliffs, New Jersey, where the old shows of the fifties...

Nov 18, 2009 Wes Anderson’s surprising latest endeavor, the stop-motion Roald Dahl adaptation Fantastic Mr. Fox, is out in theaters now and garnering terrific reviews. We thought we’d catch up with our friend and ask him some questions about this charming labor of love,...

Nov 11, 2009 As a member of the Harlem Amateur Players, Robeson had heard a great deal about Brutus Jones from the Playhouse’s set designer, Cleo Throckmorton. Moved by Robeson’s performances with the Manhattan-based troupe, Throckmorton was the first to approach him about...

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