The Criterion Collection
Essays
Jul 21, 2014 — Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
Oct 15, 2013 — Georges Franju’s masterpiece is the most chilling expression in cinema of our ancient preoccupation with the nature of identity.
Essays
May 13, 2013 — Delmer Daves’s visually majestic, emotionally charged western finds its drama in the decency of its characters.
Essays
Aug 31, 2012 — He was a doctor, explorer, and anthropologist in addition to being a director. Learn more about the fascinating man who made Lonesome.
Jun 11, 2012 — Charlie Chaplin’s transcendent, visionary comedy is made up of one iconic moment after another.
Dec 13, 2011 — Seijun Suzuki’s delirious, absurdist deconstruction of the crime genre is the strangest film the director made at Nikkatsu, Japan’s oldest film company.
Oct 4, 2011 — Masaki Kobayashi rejects the notion of individual submission to the group, condemning the hierarchical structures that pervaded Japanese political and social life in the 1950s and 1960s.
Apr 26, 2011 — At once prestigious literary adaptation and slapstick buddy flick, this is something like a lowbrow art film, an egghead monster movie, a hilarious paean to reckless indulgence, and perhaps the most widely released midnight movie ever made.
Apr 21, 2010 — This piece originally appeared in La revue du son in December 1962, and was translated by Royal S. Brown for his 1972 book Focus on Godard. When Jean Collet submitted the article for the collection, he wrote that his remarks...