The Criterion Collection
The Daily
Jul 12, 2024 — With an inexplicable, irresistibly magnetic charm, she immediately drew our attention—and won our hearts.
The Daily
May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.
The Daily
Aug 16, 2023 — This month’s roundup spotlights summer blockbusters, historical perspectives, and dazzling costumes.
Dec 13, 2022 — A departure from the tales of sex and violence that defined Black cinema in the early 1970s, Michael Schultz’s beloved coming-of-age film celebrates the emotional bonds among a group of young Black men.
The Daily
Apr 8, 2022 — This week we’re imagining possible futures with David Lynch, Apichatpong Weerasethakul, Pier Paolo Pasolini, and Gus Van Sant.
Features
Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.
The Daily
Dec 6, 2021 — It was a good weekend for Drive My Car, Lady Gaga, and Aleem Khan’s debut feature.
Aug 30, 2021 — An electrifying voice in American independent cinema, the filmmaker, artist, and DJ Ephraim Asili believes that moving images can revolutionize our perception of the world. His body of work attests to this conviction. Since he began making films more than...
Features
Jun 30, 2021 — First Person The first thing I’d like to note is that long before I was briefly an usher in a movie theater, my father was briefly an usher in a movie theater. That might not be so much in my...
Dec 11, 2019 — One Scene “Who can prove the genuineness of our feelings?” a character asks at one point in the Cannes-award-winning sci-fi drama Little Joe, the first English-language film by Austrian director Jessica Hausner. The question is as good a summation as...