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The One and Only

May 20, 2024 From documentaries and stop-motion animation to multimedia projects, the richly varied work of this veteran director is a testament to her innovative spirit and her commitment to the everyday beauty of African American experiences.

Mar 20, 2024 Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

Oct 19, 2023 Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...

Sep 21, 2023 Like the nuclear family, the internet shapes us whether or not we choose to relate to it. In 38, the final short in a triptych by filmmakers Micaela Durand and Daniel Chew, a woman approaching middle age becomes obsessed with...

Aug 25, 2023 Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...

May 16, 2023 Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.

Feb 28, 2023 In his directorial debut, Robert Townsend channeled his frustrations with the typecasting of Black actors, resulting in a satire whose hilarious critique of Hollywood still resonates today.

Jan 26, 2023 This great director from the golden age of Mexican cinema drew upon a wide range of styles to explore the conflict between tradition and modernity.

Nov 22, 2022 Spike Lee’s transcendent portrait of an American hero is an urgent call for the nation to live up to everything it claims to be.

Sep 16, 2022 The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.

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