The Criterion Collection
Dec 8, 2018 — Bluebeard films, German theorists, Fassbinder’s attack, sensory experiences, and the world’s largest movie studio.
In Theaters
Dec 6, 2018 — Repertory Picks Since September, the Cinematheque at the University of Wisconsin–Madison has devoted its Sunday-afternoon screening series at the Chazen Museum of Art to the work of New German Cinema icon Rainer Werner Fassbinder. And this weekend, the retrospective’s second...
In Theaters
Nov 29, 2018 — Repertory Picks Tonight at 7, Minneapolis’s Trylon cinema will give over its single screen to Godfrey Reggio’s 1983 Koyaanisqatsi. Drawing its title from a Hopi term meaning “life out of balance,” the experimental, fiercely poetic film indicts the excesses of...
Essays
Nov 26, 2018 — The Magnificent Ambersons In his interviews with Peter Bogdanovich published as This Is Orson Welles, Welles speaks nostalgically of the time he spent with his father in a tranquil enclave of 1920s Illinois, comparing it to “a childhood back in...
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.
Features
Nov 20, 2018 — In the aftermath of the political turmoil that swept through France in 1968, Sylvina Boissonnas used her wealth to sponsor some of the most radical films of the era, including works by Philippe Garrel and Jackie Raynal.
In Theaters
Nov 14, 2018 — Filled with passion and intrigue, one of the great epic romances of French cinema plays this Sunday at the Miami Beach Cinematheque.
In Theaters
Nov 8, 2018 — California’s Berkeley Art Museum and Pacific Film Archive celebrates one of Italian cinema’s great perfectionists with a screening of Senso.
In Theaters
Nov 1, 2018 — Seattle’s oldest continuously running movie theater showcases the career of one of American independent cinema’s great rebels.
Oct 23, 2018 — Brian De Palma found his home in the psychological thriller with this chilling tale of murder, which twists genre conventions to investigate the perils of looking and the pitfalls of subjectivity.