Just One Time

Nov 14, 2022 — Most reviewers are getting a kick out of Tarantino’s blend of memoir and film criticism.

Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.

Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Nov 1, 2022 — A film of rich colors, mournful silences, and haunting symmetries, Wong Kar Wai’s masterpiece is a meticulously constructed memory box that invites fetishistic dissection.

Oct 28, 2022 — The role of the vampire has given talented actors throughout film history—from Bela Lugosi to Catherine Deneuve—the chance to embody physical and moral extremity.

Oct 28, 2022 — Iranian cinema, the history of horror, and malevolent conspiracies are on our minds this week.

Oct 21, 2022 — The Viennale and the Austrian Film Museum present twelve features by a vital figure in the Japanese New Wave.

Oct 18, 2022 — Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.

Oct 18, 2022 — Kiyoshi Kurosawa’s hypnotic serial-killer film dives into the realm of the uncanny and envisions the breakdown of Japanese society.

Oct 17, 2022 — Memoirs from Paul Newman and Pierre Clémenti, miscellany from Satyajit Ray and Alan Rickman, and a translation of Marguerite Duras are among this month’s highlights.