The Master

Jan 5, 2016 — Toshiya Fujita’s two-film saga set exuberant, manga-inspired martial-arts choreography against a backdrop of a Japanese society in transition to unfold a vivid tale of epic vengeance.

Nov 5, 2015 — Repertory PicksIn honor of the hundredth anniversary of Ingrid Bergman’s birth, the Loft Cinema in Tucson is currently hosting a monthlong celebration of the Swedish star's work entitled “The Films of Ingrid Bergman.” The series features five of her most...

Jul 30, 2015 — Repertory PicksTonight, the Pacific Film Archive in Berkeley is welcoming the great Spanish director Víctor Erice (The Spirit of the Beehive, El sur), to talk about his career with film scholar Richard Peña. In addition to screening all of Erice’s...

Jul 27, 2015 — When Hiroshima mon amour, directed by Alain Resnais and written by Marguerite Duras, was released in 1959, it sent shock waves through the film world. It was clear, even from its first frames, that this modernist masterpiece was inventing a...

Apr 2, 2015 — Repertory Picks New York’s Japan Society is in the midst of celebrating two of Japanese cinema’s biggest stars in the screening series The Most Beautiful: The War Films of Shirley Yamaguchi and Setsuko Hara. Focusing on films made before, during,...

Feb 27, 2014 — Repertory PicksThe visually spectacular Czech masterpiece Marketa Lazarová is coming to theaters in a new 35 mm print from Janus Films. This one-of-a-kind, savage, and strangely beautiful spectacle evokes the textures of medieval life as vividly and perhaps frighteningly as...

Feb 4, 2014 — When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...

Dec 11, 2013 — This political drama was made in Mexico at a revolutionary moment and represents an extraordinary confluence of international talent.

Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...

Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.