The Criterion Collection
Interviews
May 24, 2024 — During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.
The Daily
May 23, 2024 — At a time of crisis for Argentinian cinema, an Argentinian director has won the top prize.
Features
Apr 29, 2024 — From After Hours to Mikey and Nicky to Collateral, movies centered on the twists and turns of a single night give filmmakers the chance to boldly experiment with cinematic time and space.
Apr 22, 2024 — Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.
The Daily
Mar 27, 2024 — The director of the films that launched the Zatoichi and Lone Wolf and Cub series made three virtuosic, melancholic dramas in the early 1960s.
The Daily
Mar 1, 2024 — This week offers David Bordwell on Hou Hsiao-hsien’s evolution, Jean Eustache on Ernst Lubitsch, and two must-read reviews of About Dry Grasses.
The Daily
Feb 29, 2024 — Film Forum presents two-week series featuring two dozen films, many of them screening from rare 35 mm prints.
The Daily
Feb 16, 2024 — This week brings fresh writing on Edward Yang and David Cronenberg, a talk with Wim Wenders, and a bundle of lists.
The Daily
Aug 11, 2023 — Great as they are, there was a lot more to Hurricane Billy than The French Connection and The Exorcist.
The Daily
May 26, 2023 — This year saw the return of Michel Gondry, a strong showing from New York, and a bittersweet love story from Georgia.