The Criterion Collection
Sep 2, 2016 — Returning for its first theatrical run in fifteen years, this ten-part meditation on the Ten Commandments centers on the residents of a housing complex in late-Communist Poland, charting the moral and philosophical dilemmas that arise as their lives intersect.
Short Takes
Jul 11, 2016 — In anticipation of a retrospective tribute to the collaborations of Rowlands and filmmaker John Cassavetes, we look at a candid conversation with the actor.
In Theaters
Jun 9, 2016 — Dutch cinematographer Robby Müller has given us some of the most transcendent images ever captured on-screen. Since beginning his career in the late sixties, he has lensed a wealth of indelible moments—from Harry Dean Stanton wandering alone through the vast...
May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.
Jan 13, 2016 — In Bitter Rice, Giuseppe De Santis focused his lens on the world of Italy’s female rice workers, for a story that’s part social commentary, part pulp melodrama—and introduced the world to a dazzling young actress named Silvana Mangano.
In Theaters
Dec 30, 2015 — Repertory PicksIn honor of the centennial anniversary of Orson Welles’s birth in 2015, the Northwest Film Center in Portland, Oregon, has undertaken a major celebration of the director’s work that will continue into the New Year. The series offers a...
In Theaters
Dec 29, 2015 — One refrain often heard in discussions of twenty-first-century film culture is a lament for the loss of social film viewing. While we celebrate the fact that digital technologies have given us convenient access to unprecedented numbers of movies, old and...
Oct 28, 2014 — What you hear is as crucial—and as funny—as what you see in Tati’s films.
Features
Jun 12, 2014 — The filmmaker’s latest offering at the film festival reaffirms the author’s faith in him.
Jul 16, 2013 — Theater legend Peter Brook’s approach to bringing the classic fable about human savagery to the screen was radical in its straightforwardness.