Face

Nov 9, 2017 — This year’s AFI Fest opens tonight in Los Angeles with Dee Rees’s Mudbound and was to have closed on November 16 with Ridley Scott’s All the Money in the World—until Sony Pictures pulled it from the lineup in the wake...

Nov 9, 2017 — “DOC NYC started in 2010 and is now, at 250 movies and dozens of filmmaker workshops (best in class: ‘Show Me the Money Day’) spread over eight days [November 9 through 16], the biggest and probably best one-stop venue for...

Nov 4, 2017 — With four each, Viktor Jakovleski’s Brimstone & Glory (image above), Matthew Heineman’s City of Ghosts, and Yance Ford’s Strong Island lead the nominations for the 2018 Cinema Eye Honors, founded in 2007 to “recognize excellence in artistry and craft in...

Nov 1, 2017 — The International Documentary Association has announced the nominees for the thirty-third IDA Documentary Awards as well as the winners of its creative recognition awards. The winners will be honored on December 9.Best FeatureMatthew Heineman’s City of Ghosts (image above)Antonio Santini...

Oct 23, 2017 — “Meet the new hotshots of American filmmaking,” offers the Observer, stacking four profiles on one page. Tim Lewis gets Dee Rees talking about Mudbound (“The mud wasn’t free!”) and going with Netflix: “I think Netflix are disrupters and maybe they...

Oct 19, 2017 — New York. “Feverish, fragmented, expressionistic, The Sin of Nora Moran (1933) is one of the most formally daring films to come out of Hollywood in the early sound era,” begins Imogen Sara Smith in her overview for Film Comment of...

Oct 17, 2017 — One of the very best podcasts out there, You Must Remember This, is back with a new season, “Bela and Boris.” Karina Longworth introduces the first episode, “Where the Monsters Came From” (41’40”): “Bela Lugosi and Boris Karloff were two...

Oct 17, 2017 — In this lavishly mounted epic, Stanley Kubrick captures the ghostly ephemerality of a vanishing world with paradoxical immediacy.

Oct 14, 2017 — Woody Allen’s Wonder Wheel is “a passionate comedic drama that unfolds some of the tones of Allen’s youth,” writes the New Yorker’s Richard Brody. “It’s set in the early nineteen-fifties, in Coney Island, and Allen lends the drama a structure...

Oct 12, 2017 — The Chicago International Film Festival opens tonight with Reginald Hudlin’s Marshall and runs through October 26, when it closes with Guillermo del Toro’s The Shape of Water, which won the Golden Lion in Venice (reviews).“Some biopics go for sweeping and...