Between Us

May 21, 2013 — It’s tough to tell where reality ends and fiction begins in Haskell Wexler’s deft chronicle of a turbulent era.

Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...

Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.

Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.

Apr 10, 2013 — Teinosuke Kinugasa’s landmark color film is a visual feast that has finally been vibrantly restored.

Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...

Apr 9, 2013 — This review by film critic Janet Maslin originally appeared in the December 27, 1991, edition of the New York Times, and appears by permission of the author. Naked Lunch, adapted by the dauntless David Cronenberg from William S. Burroughs’s 1959...

Mar 25, 2013 — Robert Bresson’s prison-break story is a tale of religious faith and a work of striking purity.

Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.

Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.