The Criterion Collection
The writer and director praises Charles Burnett's portraits of families, talks about his meaningful connection to The Gospel According to Matthew, and shares his experience having Stan Brakhage as a professor.
The writer and director talks about the innovative low-budget filmmaking of Detour, shares her love for The Battle of Algiers and its unrelenting “metronome of tension,” and praises Costa-Gavras as the inventor of the political thriller.
The writer, director, actor, and cocreator of Hacks talks about how Being John Malkovich informed his sense of storytelling, praises Vanya on 42nd Street as one of the best productions of Anton Chekhov’s work, and admires Steven Soderbergh’s unique approach...
The writer and director reflects on the influence that Melvin Van Peebles had on him when he was a film student, talks about how Ermanno Olmi and Ousmane Sembène made films that speak to humanity, and selects favorites such as...
The director of Caught by the Tides shares his affection for Alfonso Cuarón’s Roma, describes City Lights as being “full of cinematic feeling,” and selects favorites by Edward Yang, Robert Bresson, and Yasujiro Ozu.
The writer and director of Girlfight selects films with complex themes of power and ambition; praises women whose work she felt gave her permission to become a filmmaker, such as Martha Coolidge and Joan Micklin Silver; and shares her love...
The writer and director of His Three Daughters shares his deep love for Charles Laughton, talks about how Aki Kaurismäki blends fantasy and reality in La vie de bohème, and praises La Ciénaga and Girlfriends as cinematic miracles.
The actor joins the director of his new film The Piano Lesson in the Criterion Closet, where they shout out the importance of Menace II Society, reflect on the beauty of Jacques Demy and Agnès Varda’s artistic relationship, and praise...
The director of I’m Still Here shares why Andrei Rublev and Stranger Than Paradise consistently renew his faith in cinema, talks about the unique mix of documentary and fiction in Memories of Underdevelopment, and praises how Garrett Bradley’s Time shows...
The actor and director talks about the thrilling sensation of seeing All That Jazz for the first time, reminisces about watching Klute while on the set of Twilight, and reflects upon her favorite Ingmar Bergman films, such as Winter Light...