The Criterion Collection
The Daily
Sep 15, 2017 — “Harry Dean Stanton, the character actor with the world-weary face who carved out an exceptional career playing grizzled loners and colorful, offbeat characters in such films as Paris, Texas and Repo Man, has died.” The Hollywood Reporter’s Mike Barnes and...
The Daily
Sep 11, 2017 — This first of two, possibly three, parts was slammed hard on Twitter the moment it premiered in competition in Venice, but, surveying the first wave of reviews, we find that it’s not going to be so easily dismissed outright. Let’s...
The Daily
Aug 26, 2017 — Alexandro Segade covers a lot of ground in his piece for Artforum on Sense8, the Netflix series created by Lana and Lilly Wachowski and J. Michael Straczynski which was cancelled this summer but granted one last two-hour episode for tying...
The Daily
Aug 10, 2017 — Ian Buruma, who’ll become the new editor of the New York Review of Books next month, has a piece in the new issue on The Memory of Justice, “the four-and-a-half-hour documentary that has rarely been seen since 1976 but is...
Jun 12, 2017 — Informed by his work in theater and his travels through rural America, Nicholas Ray brought an outsider’s perspective to genre filmmaking in his debut feature.
Essays
May 23, 2017 — In one of the first major films to confront the contemporary refugee crisis in Europe, Jacques Audiard brings a genre-busting approach to an explosive subject.
Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.
Nov 16, 2016 — The joy of new love collides with the anxieties of everyday life in Paul Thomas Anderson’s off-kilter foray into romantic comedy.
Sep 28, 2016 — The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.
Apr 14, 2016 — In honor of our disc release last week of the classic John Frankenheimer thriller The Manchurian Candidate, we sat down to talk about the film with the director’s widow, actor Evans Frankenheimer.