The Sea and You

Mar 26, 2020 — Check out what’s in store next month on our streaming service!

Oct 8, 2017 — Hong Sang-soo’s On the Beach at Night Alone “is a drama of rare lyrical exaltation,” writes the New Yorker’s Richard Brody. “Kim Min-hee stars as an actress named Young-hee, whose life has been thrown into turmoil by reports about her...

Feb 9, 2016 — Jan Troell’s narration of one Swedish couple’s arduous journey to America portrays the migratory quality of marriage—of “finding that you think of this person who is not you, or this place that is not the land of your birth, as...

Aug 23, 2011 — Intimidation: The Weird Dream MakerImpassioned and dedicated craftsman of some of Japanese cinema’s biggest box-office successes and most eccentric off-genre sorties, longtime Nikkatsu studios mainstay Koreyoshi Kurahara (1927–2002) was a filmmaker with two opposite yet inseparable signature points of view....

Jul 15, 2022 — In her last significant film role, the art-house icon reveals an emotional vulnerability previously hidden by her ethereal persona.

Jan 20, 2018 — “Twenty years ago,” begins Variety’s Peter Debruge, “Robin Williams approached director Gus Van Sant about developing irreverent Portland cartoonist John Callahan’s memoir, Don’t Worry, He Won’t Get Far on Foot, with the intention of playing its author—a quadriplegic skirt-chaser, wheelchair...

Jan 17, 2018 — The Berlin International Film Festival has now completed the lineups for two of its programs, Forum Expanded and Generation. Back in December, the Berlinale announced a first round of Generation titles selected for younger viewers, so what we have today...

Jun 30, 2017 — “Founded in 1946 and situated in the picturesque Czech spa town,” the “Karlovy Vary International Film Festival (KVIFF) is seen as one of the most prestigious events on the circuit,” writes Orlando Parfitt at the top of his preview of...

Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.

Jan 5, 2016 — Toshiya Fujita’s two-film saga set exuberant, manga-inspired martial-arts choreography against a backdrop of a Japanese society in transition to unfold a vivid tale of epic vengeance.