The Criterion Collection
Dec 7, 2021 — Regina King’s feature-film directorial debut envisions the true-life convergence of four prominent Black figures with empathy and moral urgency.
Features
Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.
Dec 1, 2022 — During the production of our release of Amores perros in 2020, the film’s writer-director, Alejandro G. Iñárritu, gave us a remarkable window into his creative process, showing us some of the dozens of note cards he’d used in planning scenes...
Feb 24, 2021 — He never really pushes that cart, does he? Despite the film’s title, Ahmad (Ahmad Razvi), the mournfully persistent protagonist of Ramin Bahrani’s 2005 debut feature, Man Push Cart, is almost always seen pulling his cart through the nighttime streets of...
Mar 29, 2016 — Les Blank’s long-lost documentary revels in the trippy, eccentric world of and surrounding Tulsa Sound pioneer Leon Russell, transforming what might have been a standard concert movie into a genuine work of art.
Features
Jan 29, 2021 — Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...
Jul 23, 2007 — It’s hard to think of an artist who better exemplifies the obscuring ebb and flow of film history than Raymond Bernard.
Essays
Jul 9, 2007 — Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.
Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.
Short Takes
Apr 6, 2010 — In “the cinema of flourishes”—as scholar David Bordwell once memorably characterized the long and grand tradition of Japanese filmmaking—few flourish makers have flown so high as Takeo Kimura, longtime Seijun Suzuki collaborator and art director extraordinaire, who died recently at...