The Love That Remains

Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.

Apr 2, 2009 — Writing the screenplay with Suzanne Schiffman, I intended to do for the theater what I had done for the cinema in Day for Night: the chronicle of a troupe at work, within a framework respecting the unities of place, time,...

Dec 18, 2025 — At year’s end, we’re reading about the partnership and breakup of Alfred Hitchcock and composer Bernard Herrmann—and much more.

Jul 1, 2022 — Both crowd-pleasing and gleefully subversive, Blake Edwards’s 1982 hit Victor/Victoria remains one of the few Hollywood musicals that explicitly depicts queer life.

Mar 16, 2007 — The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.

Sep 25, 2023 — This month brings collections on Straub-Huillet and Whit Stillman, an Anna May Wong biography, and a novel starring Marilyn Monroe.

Sep 19, 2023 — Warmly received in Venice, Cooper’s portrait of Leonard Bernstein and Felicia Montealegre now heads to festivals in New York, Zurich, London, Mill Valley, and Los Angeles.

Sep 9, 2022 — New films by Andrew Dominik, Paul Schrader, Rebecca Zlotowski, Alice Diop, and Florian Zeller premiere in Venice.

Oct 3, 2017 — In the print edition of the current issue of Film Comment, we find Luca Guadagnino saying that “the true generator of the movies I try to make is Jean Renoir, and A Day in the Country is really the alpha...

Sep 29, 2015 — Merchant Ivory Productions’ sun-kissed romantic comedy is an effervescent tale of class and manners among the Edwardian English.