The Criterion Collection
Essays
Nov 15, 2004 — Short Cuts is an L.A. jazz rhapsody that represents Robert Altman at an all-time personal peak—and it came at just the right time in his career.
Nov 18, 2025 — Though the first two decades of the Iranian filmmaker’s career have long been underappreciated, this fertile period yielded philosophical and restlessly innovative works that reinvigorated both documentary and narrative-fiction cinema.
Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...
Jul 25, 2014 — Erik Skjoldbjærg’s sun-drenched noir follows a detective trying to conceal his amoral actions amid unforgiving daylight.
The Daily
Feb 6, 2018 — “A jolt of a movie, Black Panther creates wonder with great flair and feeling partly through something Hollywood rarely dreams of anymore: myth.” So begins Manohla Dargis in the New York Times. “Most big studio fantasies take you out for...
Michael Atkinson writes regularly for the Village Voice and Sight and Sound, and teaches at Long Island University. His books include Exile Cinema (SUNY Press) and Blue Velvet (British Film Institute), which was reissued in a new edition in 2021.
Oct 2, 2025 — In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.
The Daily
Jun 9, 2021 — Critics welcome the big-screen version of Lin-Manuel Miranda’s hit musical as a celebration of the return of the movies.
The Daily
Feb 20, 2019 — An overview of the award winners and a few critical and personal favorites.
The Daily
Aug 8, 2018 — The selection of thirty films features highlights from Cannes, Locarno, Venice, and Toronto.