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The Dead

May 28, 2024 With just a few exceptions, critics are generally pleased with this year’s awards.

Aug 25, 2023 Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...

Jul 25, 2023 Venice packs more than a few surprises, and Toronto’s announced sixty Gala and Special Presentations.

Jul 25, 2023 In his five collaborations with actor Randolph Scott and producer Harry Joe Brown, Boetticher presents an unsentimental vision of honor-bound men competing and banding together in a desolate landscape ruled by chance.

Jul 11, 2023 Martin Scorsese drew on the influence of Hitchcock and Kafka for this anxiety-ridden tale of one bizarre night in New York City—a movie that energized him during a tumultuous period in his career.

History Lessons

The Daily

May 5, 2023 Along with an interview with Straub-Huillet, we’re reading a Taiwanese wuxia primer and assessments of work by Shinji Somai and Apichatpong Weerasethakul.

Two Midnighters

The Daily

Jan 26, 2023 With confident verve, Brandon Cronenberg’s Infinity Pool and Laura Moss’s birth/rebirth defy horror fans’ expectations.

Jan 24, 2023 Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

Jan 9, 2023 The films in the Criterion Channel collection Free Jazz chronicle the development of a deeply experimental music that has baffled and enthralled listeners in equal measure.

Nov 2, 2022 The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

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