The Criminal

Apr 17, 2026 — From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...

Jul 13, 2021 — One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...

Apr 9, 2024 — In Steven Zaillian’s eight-episode series, Andrew Scott gives us what many find to be the definitive Tom Ripley.

Dec 8, 2023 — Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Mar 3, 2020 — Mohammad Rasoulof has won the Berlinale’s Golden Bear, and Eliza Hittman is taking home the grand jury prize.

Jan 27, 2020 — Kirby Dick and Amy Ziering’s On the Record and Kitty Green’s The Assistant explore the “ecosystems of power” that enable abusers.

Nov 20, 2018 — A sampling of reviews of some of the most significant movies currently in theaters.

Jun 23, 2008 — The year 1950 marked a turning point in Anthony Mann’s career, the moment when he passed from the series of brilliant film-noir B movies that had established him to the westerns that made him a major figure. Mann released three...

Aug 20, 2025 — He locked eyes with audiences in films by Pasolini, Soderbergh, Frears, Stephen Elliott, and Edgar Wright.

Jan 10, 2023 — In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.