The After

Mar 31, 2025 — The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.

Mar 3, 2025 — His range was astounding, and yet every performance was immediately recognizable as uniquely his.

Feb 25, 2025 — Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.

Feb 13, 2025 — Isolated sequences are dazzling, but as a whole, The Light may be difficult to buy into.

Jan 28, 2025 — The first of eight collaborations between actor James Stewart and director Anthony Mann centers on a prize rifle that ends up being both a magical object and a cursed one, sending every man who possesses it to a doomed fate.

Jan 23, 2025 — In the run-up to the forty-first edition, critics have been writing up lists of their most-anticipated films.

Jan 8, 2025 — We’re looking forward to new work from Richard Linklater, Bong Joon Ho, Kelly Reichardt, Christian Petzold, Chloé Zhao, Sebastián Lelio, and many other filmmakers.

Nov 21, 2024 — Dennis Hopper’s bleakly nihilistic drama struggled to find an audience after it premiered at the Cannes Film Festival in 1980, but time has revealed it to be one of the most hardcore films about disaffected youth ever made.

Nov 12, 2024 — The festival’s second edition reasserts its emphasis on “showcasing and advocating for personal, ambitious regional cinema.”

Oct 31, 2024 — The BAM series focuses on filmmakers who “turn the visual language of the silents to new purposes.”