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Some Came Running

Apr 30, 2019 With these twin monuments of Hong Kong action filmmaking, Jackie Chan catapulted to international stardom, perfecting a unique blend of athleticism and populism.

Apr 23, 2019 It’s unlikely that anyone who pays attention to contemporary short films will be unfamiliar with our selection this week on the Criterion Channel, which took the film-festival circuit by storm last year, garnering dozens of awards and an Oscar nomination....

Apr 19, 2019 In the spotlight this week: A new resource on avant-garde cinema, Kent Jones on Francis Ford Coppola, Darren Hughes on Claire Denis, and more.

Mar 26, 2019 It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...

Mar 12, 2019 The first few days have also seen premieres of new films by Lynn Shelton, Jonathan Levine, and Olivia Wilde.

Feb 5, 2019 Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Jan 18, 2019 Dark Passages Getting old, in Hollywood, is at least a misfortune, if not a crime. But film noir had plenty of room for actors who looked the worse for wear, whose mileage showed on their faces, whose youth was less...

Dec 7, 2018 Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...

Nov 29, 2018 The largest retrospective in the U.S. yet is on through mid-December.

Nov 26, 2018 The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.

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